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Printed in Holland Code No.6CE10020 (1009/B) K

See Through Different Eyes
Every photographer is unique. Whatever your ideas, experience or creative vision, there is a NIKKOR lens to draw out your potential. Each product in the lineup represents the pride and craftsmanship that only an optical manufacturer can understand, delivering a level of clarity and reliability that every passionate photographer can appreciate. How will you see the world? Let NIKKOR help.

Capture more. Create more.
Wide-Angle Zoom NIKKOR Lenses ....................p4-p7 Fixed Focal-Length NIKKOR Lenses ............. p16-p21 NIKKOR Technology ...........................................p28-p29 Normal Zoom NIKKOR Lenses ......................p8-p11 Special-Purpose NIKKOR Lenses.............p22-p25 Specifications ................................................ p30-p31 Telephoto Zoom NIKKOR Lenses.................................p12-p15 Manual-Focus Lenses & Optional Accessories.....p26-p27

Wide-angle zoom NIKKOR leNses
This incredible range of wide-angle zooms delivers a broader depth of field, shorter working distances and more dramatic perspectives to your photography. With a variety of focal lengths and aperture combinations for every budget or camera, NIKKOR lenses deliver the clarity and detail your photography deserves. Try different viewpoints or get closer to subjects as you change the zoom range, and you'll soon discover a new approach to wide-angle photography.

? Yves Paternoster

Drastic viewpo ints turn into dramatic perspectives
AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED

Ultra-wide-angle zoom lenses for dynamic perspectives

AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED

DX

Explore the extremes of photography with the ultra-wide-angle coverage of this practical zoom lens. With the widest end of 10mm covering a 109° angle of view, this lens delivers dramatic perspectives to give your photography a creative edge. Close-up shooting capability and minimized distortion also add to its appeal.
10mm 109° 24mm 61°

Lens construction: 14 elements in 9 groups Minimum focus distance: 0.24 m/0.8 ft. (AF) 0.22 m/0.7 ft. (MF) Maximum reproduction ratio: 1/5x Filter-attachment size: 77 mm Accessories: Hood HB-23 / Case CL-1118

AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED

DX

A very popular choice for extreme wideangle photography. The fixed aperture ensures consistent exposures across the zoom range. Perfect for shooting large building exteriors, narrow interiors and vast natural landscapes.

12mm 99° 24mm 61°

Lens construction: 11 elements in 7 groups Minimum focus distance: 0.3 m/1 ft. Maximum reproduction ratio: 1/8.3x Filter-attachment size: 77 mm Accessories: Hood HB-23

An optical masterpiece: widest at 14mm with fixed f/2.8

AF-S NIKKOR 14-24mm f/2.8G ED

AF-S NIKKOR 16-35mm f/4G ED VR

? Bob Krist

Sharp, ultra-wide-angle zoom with VR II

Legendary professional wide-angle zoom lens

Compact and approachable wide-angle zoom

AF-S NIKKOR 16-35mm f/4G ED VR
With a fixed maximum aperture of f/2.8, this award-winning professional lens delivers edge-to-edge sharpness across the frame. Nano Crystal Coat and ED glass ensure outstanding contrast, even in backlit conditions. Tough and reliable, this is essential glass for professional photographers everywhere.
14mm 114° 24mm 84°

AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED
With a fixed maximum aperture of f/2.8, this lens covers the optimal range for wide-angle assignments. The glass produces clear and high-contrast images throughout the entire zoom range. A highly reliable professional lens.

AF Zoom-Nikkor 18-35mm f/3.5-4.5D IF-ED
Weighted at approx. 370 g/13 oz., this compact and easy-to-handle wide zoom lens balances well on Nikon’s range of lighter D-SLR cameras. It also ensures equally fine resolution from infinity to the closest subjects, making beautiful images easy to achieve.
18mm 100° 35mm 62°

This versatile ultra-wide-angle zoom covers a remarkably broad range, with Vibration Reduction (VR II) to enable blurfree handheld images at slower shutter speeds in places such as interiors and night scenes. Ideal for travel and documentary work.
16mm 107° 35mm 63°

17mm 104° 35mm 62°

Lens construction: 14 elements in 11 groups Minimum focus distance: 0.28 m/0.9 ft. (in 18-24mm) Maximum reproduction ratio: 1/6.7x Filter-attachment size: Filter cannot be attached Accessories: Hood fixed to the lens / Case CL-M3

Lens construction: 17 elements in 12 groups Minimum focus distance: 0.28 m/0.9 ft. Maximum reproduction ratio: 1/4x Filter-attachment size: 77 mm Accessories: Hood HB-23 / Case CL-1120

Lens construction: 13 elements in 10 groups Minimum focus distance: 0.28 m/0.9 ft. Maximum reproduction ratio: 1/4.6x Filter-attachment size: 77 mm Accessories: Hood HB-23 / Case CL-76

Lens construction: 11 elements in 8 groups Minimum focus distance: 0.33 m/1.1 ft. Maximum reproduction ratio: 1/6.7x Filter-attachment size: 77 mm Accessories: Hood HB-23

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: Aspherical lens elements

: ED glass elements

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n o R m a l

z o o m

N I K K O R

l e N s e s
This remarkable line of lenses is designed to handle a variety of scenes and subject matter. Whichever versatile and portable lens you choose, from the compact and approachable to the refined and highpowered, normal zooms will become a vital part of your photography. Choose the lens that best suits your skill level and creative pursuits.

? Bob Krist

Make every photo opportunity come alive with dynamic zoom coverage
AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR

Practical standard zoom with VR II and remarkably wide coverage

Fast f/2.8 standard zoom lens delivering exceptional image quality

Approachable standard zoom lenses with further telephoto reach

AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR

DX

AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED

DX

AF-S NIKKOR 24-120mm f/4G ED VR

The most balanced and versatile standard zoom lens for passionate DX-format camera users, with 5.3x zoom coverage that starts at an 83° angle of view at 16mm. Incredible sharpness, compact body and Vibration Reduction (VR II) to ensure steadier shots and more photo opportunities – from daily snapshots to travel documentary work.
16mm 83° 85mm 18°50'

This is the DX lens for both stunning sharpness and beautiful bokeh. Its fine resolution delivers exceptional image rendering– from close subjects all the way to infinity–to satisfy professionals on assignment as well as aspiring high-end photographers who value image quality.

This versatile 5x zoom lens delivers stunning image quality at any aperture or focal length, while the Nano Crystal Coat reduces ghost and flare effects. The lens body is impressively slim and compact, despite having built-in Vibration Reduction (VR II). A standard zoom lens of exceptional utility and value for FX-format users.
24mm 84° 120mm 20°20'

17mm 79° 55mm 28°50'

Lens construction: 17 elements in 11 groups Minimum focus distance: 0.38 m/1.3 ft. Maximum reproduction ratio: 1/4.6x Filter-attachment size: 67 mm Accessories: Hood HB-39 / Case CL-1015

Lens construction: 14 elements in 10 groups Minimum focus distance: 0.36 m/1.2 ft. (at 35mm) Maximum reproduction ratio: 1/5x Filter-attachment size: 77 mm Accessories: Hood HB-31 / Case CL-1120

Lens construction: 17 elements in 13 groups Minimum focus distance: 0.45 m/1.5 ft. Maximum reproduction ratio: 1/4.2x Filter-attachment size: 77mm Accessories: Hood HB-53 / Case CL-1218

AF Zoom-Nikkor 24-85mm f/2.8-4D IF
Approachable standard zooms with NIKKOR quality

AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR

DX

AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II DX
Weighing only 205 g/7.2 oz., this light and compact standard zoom lens offers clear, high-contrast pictures and approx. 3.1x zoom capability. It also enables you to shoot close-up photographs with its significantly short focus distance of 0.28 m/0.9 ft.
18mm 76° 55mm 28°50'

With its significant resolving power and Vibration Reduction (VR), this lens achieves clear images easily. Remarkably light, despite featuring VR, and it captures fantastic close-up shots at a 0.28 m/0.9 ft. focus distance.

Covering the most frequently used zoom range, this lens offers a great balance of fine resolution and smooth tonal gradation. AF macro shooting up to 1/2x is another great advantage.

AF-S NIKKOR 24-120mm f/4G ED VR

? Toshio Enomoto

24mm 84° 85mm 28°30'

18mm 76° 55mm 28°50'

Lens construction: 15 elements in 11 groups Minimum focus distance: 0.5 m/1.6 ft. (0.21 m/0.7 ft. in macro) Maximum reproduction ratio: 1/5.9x (1/2x in macro) Filter-attachment size: 72 mm Accessories: Hood HB-25

Lens construction: 11 elements in 8 groups Minimum focus distance: 0.28 m/0.9 ft. Maximum reproduction ratio: 1/3.2x (at 55mm) Filter-attachment size: 52 mm

Lens construction: 7 elements in 5 groups Minimum focus distance: 0.28 m/0.9 ft. Maximum reproduction ratio: 1/3.2x (at 55mm) Filter-attachment size: 52 mm

Versatile, high-power 11x zoom with VR II

AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR

AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II DX

Incredibly reliable, highly balanced standard zoom lens

AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR DX
A great choice when you want a little more telephoto reach. This powerful, approx. 5.8x standard zoom lens makes it possible to shoot most subject matter with just one lens. Vibration Reduction (VR) helps you achieve steadier shots during low-light and telephoto shooting.

AF-S NIKKOR 24-70mm f/2.8G ED
With a fixed aperture of f/2.8, the NIKKOR glass in this lens provides both fine resolution and natural representation. In addition, the Nano Crystal Coat helps effectively reduce ghost and flare effects under harsh lighting. Praised for its reliability and overall image quality, this is a long-time favorite of passionate professionals.
24mm 84° 70mm 34°20'

A powerful zoom lens optimized for FX-format cameras. This lens offers outstanding sharpness for such a broad zoom range while maintaining an f/5.6 aperture at the telephoto end. Built-in Vibration Reduction (VR II) compensates camera shake for up to 4 stops. A remarkably versatile zoom lens best suited for travel and other outdoor applications.
28mm 75° 300mm 8°10'

One lens for every opportunity. This incredibly versatile lens has a dynamic zoom coverage of approx. 11x from the widest 76° to the maximum telephoto 8°. Then there is also Vibration Reduction (VR II) for even more potential. Perfect when you need to travel light.

18mm 76° 105mm 15°20'

18mm 76° 200mm 8°

Lens construction: 15 elements in 11 groups Minimum focus distance: 0.45 m/1.48 ft. Maximum reproduction ratio: 1/5x Filter-attachment size: 67 mm Accessories: Hood HB-32 / Case CL-1018

Lens construction: 15 elements in 11 groups Minimum focus distance: 0.38 m/1.2 ft. (in 35-50 mm) Maximum reproduction ratio: 1/3.7x Filter-attachment size: 77 mm Accessories: Hood HB-40 / Case CL-M3

Lens construction: 19 elements in 14 groups Minimum focus distance: 0.5 m/1.6 ft. Maximum reproduction ratio: 1/3.1x Filter-attachment size: 77mm Accessories: Hood HB-50 / Case CL-1120

Lens construction: 16 elements in 12 groups Minimum focus distance: 0.5 m/1.6 ft. Maximum reproduction ratio: 1/4.5x Filter-attachment size: 72 mm Accessories: Hood HB-35 / Case CL-1018

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: Aspherical lens elements

: ED glass elements

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TelePH oTo zo om NIKKOR leNses
One telephoto zoom lens can drastically broaden your creative and compositional potential. With their longer focal lengths, relatively shallow depths of field and dramatic telephoto compression effect, you can capture a wide array of subjects in ways few lenses can. In addition, many of these lenses come with Vibration Reduction (VR) to control camera shake, so you can expect sharper shots of your telephoto subjects.

? Tim Mckenna

Nail the decisive moment and cap ture the action from a distance
AF-S NIKKOR 70-200mm f/2.8G ED VR II

Approachable zoom for sharp super-telephoto shooting

Significantly refined: a pro's essential telephoto zoom

Fixed aperture f/2.8 with great optics and beautiful bokeh

AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR

DX

AF-S NIKKOR 70-200mm f/2.8G ED VR II

AF Zoom-Nikkor 80-200mm f/2.8D ED
This high-performance zoom has a fixed 2.8 aperture throughout the zoom range, giving your telephoto shots a beautiful background bokeh. Expect remarkable image reproduction in the fine details, even when shooting wide-open. AF close-up shooting is also possible, letting you focus and shoot from 1.5 m/4.9 ft.
80mm 30°10' 200mm 12°20'

This practical zoom lens allows DX users to reach 300mm supertelephoto and make sharper shots with ease, thanks to built-in Vibration Reduction (VR II). In addition, the new HRI (High Refractive Index) lens – a first for the NIKKOR lineup — achieves clear, highcontrast images at every aperture and focal length, and contributes to making the lens body compact. Ideal for travel and events.

55mm 28°50' 300mm 5°20'

The most reliable and essential f/2.8 fixed aperture telephoto zoom lens has now been reborn with a number of significant improvements. Optimized for FX-format cameras, the resulting images deliver stunning detail and contrast across the entire frame when taken at any focus point or aperture. What's more, the lens comes equipped with enhanced AF performance, Vibration Reduction (VR II) and Nano Crystal Coat to reduce ghost and flare effects, broadening your shooting potential and giving photographers added confidence when shooting in difficult situations.
70mm 34°20' 200mm 12°20'

Lens construction: 16 elements in 11 groups Minimum focus distance: 1.8 m / 6 ft. (1.5 m / 4.9 ft. in macro) Maximum reproduction ratio: 1/7.1x (1/5.9x in macro) Filter-attachment size: 77 mm Accessories: Case CL-43A

Long-range, VR-enabled 400mm zoom lens

AF VR Zoom-Nikkor 80-400mm f/4.5-5.6D ED
The broadest focal length range in the telephoto zoom lens lineup. Not only does this reduce the number of lenses you need to carry into the field, it also comes with Vibration Reduction (VR) to expand your handheld shooting capability with action, landscapes and poorly lit subjects.

Lens construction: 17 elements in 11 groups Minimum focus distance: 1.4 m/4.59 ft. Maximum reproduction ratio: 1/3.6x Filter-attachment size: 58mm Accessories: Hood HB-57 / Case CL-1020

Lens construction: 21 elements in 16 groups Minimum focus distance: 1.4 m/4.6 ft. Maximum reproduction ratio: 1/8.6x Filter-attachment size: 77 mm Accessories: Hood HB-48 / Case CL-M2

Compact and accessible telephoto zoom with a powerful 300mm reach
AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR ? Yoshitsugu Enomoto

80mm 30°10' 400mm 6°10'

AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED
Whether you shoot in DX format or FX format, this small and portable zoom offers impressive versatility with a fairly long focal length of 300mm. Its approx. 4.3x zoom range and Vibration Reduction (VR II) add to its utility for most telephoto shooting opportunities. The specialized NIKKOR glass produces clear, high-contrast images with less chromatic aberration.
70mm 34°20' 300mm 8°10'

Lens construction: 17 elements in 11 groups Minimum focus distance: 2.3 m/7.5 ft. Maximum reproduction ratio: 1/4.8x Filter-attachment size: 77 mm Accessories: Hood HB-24 / Case CL-M1

Compact design with convenient telephoto range

Top-of-the-line, super-telephoto zoom for crucial assignments

AF-S DX VR Zoom-Nikkor 55-200mm f/4-5.6G IF-ED DX
Vibration Reduction (VR) significantly reduces camera shake throughout the entire focal length, making sharp telephoto shots substantially easier. An ideal lens for sports, people and school events, this lens provides clear images with less blur.

AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED

DX

AF-S NIKKOR 200-400mm f/4G ED VR II

This approachable telephoto zoom lens is compact and lightweight: approx. 79 mm/3.1 in.* long and 255 g/9 oz. In addition to its telephoto capabilities, it also delivers close-up shots at 200mm with a 1/3.5x maximum reproduction ratio.
* Distance from bayonet base level to lens end.

Lens construction: 17 elements in 12 groups Minimum focus distance: 1.5 m/4.9 ft. Maximum reproduction ratio: 1/4x Filter-attachment size: 67 mm Accessories: Hood HB-36 / Case CL-1022

55mm 28°50' 200mm 8°

55mm 28°50' 200mm 8°

AF Zoom-Nikkor 70-300mm f/4-5.6G
Light and compact, this easy-to-handle telephoto zoom reaches up to 300mm. The approx. 4.3x zoom offers great coverage, making it ideal for most daylight telephoto shots.
70mm 34°20' 300mm 8°10'

Lens construction: 15 elements in 11 groups Minimum focus distance: 1.1 m/3.6 ft. Maximum reproduction ratio: 1/4.4x Filter-attachment size: 52 mm Accessories: Hood HB-37 / Case CL-0918

Lens construction: 13 elements in 9 groups Minimum focus distance: 0.95 m/3.1 ft. Maximum reproduction ratio: 1/3.5x Filter-attachment size: 52 mm Accessories: Hood HB-34 / Case CL-0815

This zoom range 200-400mm lens has a fixed aperture of f/4 and is a NIKKOR-exclusive quality lens. Ideal for photographers who need to keep their gear to a minimum while on super-telephoto assignments that require stunning image quality. Nano Crystal Coat and Vibration Reduction (VR II) offer added capability, contributing to sharper images under demanding conditions.
200mm 12°20' 400mm 6°10'

Lens construction: 13 elements in 9 groups Minimum focus distance: 1.5 m/4.9 ft. Maximum reproduction ratio: 1/3.9x Filter-attachment size: 62 mm Accessories: Hood HB-26

Lens construction: 24 elements in 17 groups Minimum focus distance: 2 m/ 6.6 ft. (AF) 1.95 m/6.4 ft. (MF) Maximum reproduction ratio: 1/3.7x (AF) 1/3.6x (MF) Filter-attachment size: 52mm Accessories: Hood HK-30 / Case CL-L2

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: Aspherical lens elements

: ED glass elements

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FiXed FoC al- lengTH N IK KO R leNse s
Fixed focal-length lenses not only offer stunning sharpness. This approachable lineup of fast aperture lenses also gives photographers an easy way to shoot beautiful background bokeh and get a broader range of shooting opportunities in low light. From the 14mm ultra-wide-angle to the 600mm supertelephoto, the NIKKOR fixed focal-length lineup gives your images a distinct personality.

Dynamic perspectives achieved by ultra-wide angle

AF Nikkor 14mm f/2.8D ED
At 14mm, this lens covers an extremely wide 114° angle of view, capturing a remarkably broad expanse with an exaggerated perspective, making it ideal for shooting large buildings, narrow indoor spaces or vast nature.

AF Nikkor 20mm f/2.8D
With both a dynamic perspective and a great depth of field, this 20mm lens gives you edge-to-edge sharpness and less distortion when shooting interiors, landscapes and more. Superb optics and compact design (approx. 270 g/9.5 oz.)

114°

94°

Lens construction: 14 elements in 12 groups Minimum focus distance: 0.2 m/0.66 ft. Maximum reproduction ratio: 1/6.7x Filter-attachment size: Rear-attachment type Accessories: Fixed hood / Case CL-S2

Lens construction: 12 elements in 9 groups Minimum focus distance: 0.25 m/0.85 ft. Maximum reproduction ratio: 1/8.3x Filter-attachment size: 62 mm Accessories: Hood HB-4

Superb optics with fast f/1.4 for amazing bokeh

Standard wide-angle lenses for general purpose

AF-S NIKKOR 24mm f/1.4G ED

AF Nikkor 24mm f/2.8D
Compact and approachable, this wideangle lens provides sharp images with a great perspective. Ideal for landscapes, travel, environmental portraits and more.

84°

The greatest advantage of this versatile wide-angle lens is its amazingly beautiful bokeh at f/1.4 while covering an 84° angle of view. Its optical design now reveals more refined detail with even less aberration. In addition, Nano Crystal Coat effectively reduces ghost and flare effects in harsh lighting. Perfect for landscapes, architecture and environmental portraits, as well as any low-light shooting situation.
84°

Lens construction: 9 elements in 9 groups Minimum focus distance: 0.3 m/1 ft. Maximum reproduction ratio: 1/8.9x Filter-attachment size: 52 mm

AF Nikkor 28mm f/2.8D
This light, compact and convenient wideangle lens allows you to get as close as 0.25 m/0.85 ft. with a natural perspective. A great lens for nearly any wideangle subject matter.

Lens construction: 12 elements in 10 groups Minimum focus distance: 0.25 m/0.82 ft. Maximum reproduction ratio: 1/5.6x Filter-attachment size: 77 mm Accessories: Hood HB-51 / Case CL-1118
74°

AF-S NIKKOR 24mm f/1.4G ED

? Yves Paternoster

Lens construction: 6 elements in 6 groups Minimum focus distance: 0.25 m/0.85 ft. Maximum reproduction ratio: 1/5.6x Filter-attachment size: 52 mm

? Cherie Steinberg Coté

Achieve both supreme sharpness and beautiful bokeh
AF-S NIKKOR 85mm f/1.4G
: Aspherical lens elements : ED glass elements

17

Wide-angle f/1.4 prime with stunning clarity

Fast and highly practical wide-angle lens

Fast 50mm lineup, preferred as "Standard lens"

Strikingly crisp, f/1.8 prime for DX users

AF-S NIKKOR 35mm f/1.4G

AF Nikkor 35mm f/2D
A fast f/2 aperture makes it easier to shoot in low light, giving you sharp and high-contrast images from infinity to upclose. A great choice for landscapes and environmental portraits with either deepfocus or beautiful background bokeh.

AF-S NIKKOR 50mm f/1.4G

AF-S DX NIKKOR 35mm f/1.8G

DX

62°

Lens construction: 6 elements in 5 groups

The legendary manual-focus Nikkor 35mm f/1.4 has now been upgraded to an AF-S lens with the latest digital technology. This lens achieves a remarkable level of coma aberration correction in order to deliver stunning images, even at a wide-open aperture. Nano Crystal Coat drastically reduces ghost and flare effects when shooting wide-angle, where the possibility of these effects can increase. A great choice for nature, landscape, night scenes and astrophotography.

Minimum focus distance: 0.25 m/0.85 ft. Maximum reproduction ratio: 1/4.2x Filter-attachment size: 52 mm

Expect outstanding image quality, edge-to-edge sharpness and high contrast at any aperture or focus distance. An ultra-fast f/1.4 maximum aperture not only creates attractive bokeh with its rounded 9-blade diaphragm, but also offers great low-light performance. Ideal for portraits, landscapes, travel and more.
46°

Optimized for DX-format cameras, this lens delivers both the superb sharpness and smooth bokeh you expect from a prime lens, making it particularly suited for portraits. What’s more, the fast aperture ensures more photo opportunities in low light. A great value for every DX photographer.
44°

Lens construction: 8 elements in 7 groups Minimum focus distance: 0.45 m/1.5 ft. Maximum reproduction ratio: 1/6.8x Filter-attachment size: 58 mm Accessories: Hood HB-47 / Case CL-1013

Lens construction: 8 elements in 6 groups Minimum focus distance: 0.3 m/0.98 ft. Maximum reproduction ratio: 1/6.1x Filter-attachment size: 52 mm Accessories: Hood HB-46 / Case CL-0913

63°

Lens construction: 10 elements in 7 groups Minimum focus distance: 0.3 m/0.98 ft. Maximum reproduction ratio: 1/5x Filter-attachment size: 67mm Accessories: Hood HB-59 / Case CL-1118

Medium-range telephoto lenses optimal for portraits

AF Nikkor 50mm f/1.8D
Offering natural image rendering and exceptional sharpness, this extremely compact and lightweight lens weighs approx. 155 g/5.5 oz., making it a convenient carry-around lens for nearly any shooting opportunity.
AF-S NIKKOR 35mm f/1.4G ?Yoshitsugu Enomoto
46°

AF-S NIKKOR 85mm f/1.4G

Lens construction: 6 elements in 5 groups Minimum focus distance: 0.45 m/1.5 ft. Maximum reproduction ratio: 1/6.6x Filter-attachment size: 52 mm

NIKKOR's legendary 85mm prime is now reborn. Employing a re-designed optical system incorporating Nano Crystal Coat, this lens inherits an ultra-fast f/1.4 and a rounded nine-blade diaphragm for stunning bokeh. In addition, the newly developed MF driving mechanism reduces focus time lag and enables smooth operation in M/A mode. Expect incredibly crisp yet natural image rendering for portraits, whether for studio work or other commercial shoots outdoors.
28°30'

AF Nikkor 50mm f/1.4D
This lens offers quality optics and an ultra-fast f/1.4 maximum aperture, delivering superb resolution and color reproduction. An approachable standard lens for both fine detail and stunning bokeh imagery.

Lens construction: 10 elements in 9 groups Minimum focus distance: 0.85 m/2.79 ft. Maximum reproduction ratio: 1/8.3x Filter-attachment size: 77mm Accessories: Hood HB-55 / Case CL-1118

AF Nikkor 85mm f/1.8D
This compact, highly approachable lens is an excellent choice for your first midrange telephoto prime. With its fast f/1.8 maximum aperture, it offers crisp yet natural image reproduction with high contrast at any focus distance.
28°30'

46°

Lens construction: 7 elements in 6 groups Minimum focus distance: 0.45 m/1.5 ft. Maximum reproduction ratio: 1/6.8x Filter-attachment size: 52 mm

Lens construction: 6 elements in 6 groups Minimum focus distance: 0.85 m/2.8 ft. Maximum reproduction ratio: 1/9.2x Filter-attachment size: 62 mm Accessories: Hood HN-23

18

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DC lenses allowing creative focus control

Crystal-clear, amazingly fast telephoto with VR

AF DC-Nikkor 105mm f/2D
DC (Defocus Image Control) allows you to control the degree of soft focus in the foreground or background of an image. With a focal length of 105mm and a fast f/2 maximum aperture, it performs well as a portrait lens with sharpness and excellent bokeh.
23° 20'

AF-S NIKKOR 200mm f/2G ED VR II

Lens construction: 6 elements in 6 groups (plus one protective lens) Minimum focus distance: 0.9 m/3 ft. Maximum reproduction ratio: 1/7.7x Filter-attachment size: 72 mm Accessories: Hood (fixed to the lens)

Trusted by countless professionals, this telephoto prime lens has captured many significant moments in sports, theater and studio portraiture. ED glass elements – including one Super ED glass – compensate for chromatic aberration, plus Nano Crystal Coat ensures clarity in demanding light. Vibration Reduction (VR II) and a fast f/2 aperture broaden creative potential.
12°20'

AF DC-Nikkor 135mm f/2D
Using the same DC (Defocus Image Control) employed in the 105mm f/2D, the 135mm focal length offers more telephoto reach, making it ideal for tight portraits while providing opportunities to shoot with a shallow depth of field or under low light.
18°

Lens construction: 13 elements in 9 groups Minimum focus distance: 1.9 m/6.2 ft. Maximum reproduction ratio: 1/8.3x Filter-attachment size: 52 mm Accessories: Hood HK-31 / Case CL-L1

The most renowned professional telephoto prime

AF-S NIKKOR 300mm f/2.8G ED VR II
Professional super-telephoto lineup with VR and Nano Crystal Coat

AF-S NIKKOR 300mm f/2.8G ED VR II

? Masakazu Watanabe

Lens construction: 7 elements in 6 groups (plus one protective lens) Minimum focus distance: 1.1 m/4 ft. Maximum reproduction ratio: 1/7.1x Filter-attachment size: 72 mm Accessories: Hood (fixed to the lens)

AF-S NIKKOR 400mm f/2.8G ED VR

High-performance medium telephoto with ED glass

AF Nikkor 180mm f/2.8D IF-ED

This highly regarded professional super-telephoto lens is now reborn with Vibration Reduction (VR II) to enable handheld shooting at up to four stops slower. The Nano Crystal Coat reduces ghost and flare effects, helping to create stunningly crisp, clear images. The best choice for indoor and action sports.
8°10'

With a fast f/2.8, Vibration Reduction (VR II), and Nano Crystal Coat, this lens delivers incredibly sharp images and beautiful bokeh in demanding conditions. The light and durable magnesium die-cast barrel means pro-level reliability, and its versatility makes it ideal for any super-telephoto opportunity.
6°10'

Lens construction: 14 elements in 11 groups (plus one Meniscus Protective Lens) Minimum focus distance: 2.9 m/9.5 ft. (AF) 2.8 m/9.2 ft. (MF) Maximum reproduction ratio: 1/6.3x (AF) 1/6.1x (MF) Filter-attachment size: 52 mm Accessories: Hood HK-33 / Case CT-404

Remarkably compact and easy to handle for a fast medium telephoto, this lens utilizes NIKKOR’s renowned ED glass to compensate for chromatic aberration and deliver high-contrast clear images, even at the maximum aperture of f/2.8. A favorite of astronomical photographers, the lens is also well-suited for close portraits, short-range sports, theater photography and more.
13°40'

Lens construction: 11 elements in 8 groups (plus one Meniscus Protective Lens) Minimum focus distance: 2.3 m/7.5 ft. (AF) 2.2 m/7.2 ft. (MF) Maximum reproduction ratio: 1/6.4x (AF) 1/6.1x (MF) Filter-attachment size: 52 mm Accessories: Hood HK-30 / Case CL-L1

AF-S NIKKOR 500mm f/4G ED VR

This powerful super-telephoto lens offers incredible image reproduction. Featuring Vibration Reduction (VR II) and Nano Crystal Coat, the light and durable lens design ensures added confidence in the field. Ideal for motor sports, outdoor athletes, wildlife and more.


Approachable, easy-to-handle telephoto lens

AF-S Nikkor 300mm f/4D IF-ED
Offering an excellent balance between size and image quality, this lens realizes great sharpness, making it an ideal supertelephoto lens for sports, wildlife or travel applications. Also handles closer subjects incredibly well.
8°10'

Lens construction: 8 elements in 6 groups Minimum focus distance: 1.5 m/5 ft. Maximum reproduction ratio: 1/6.6x Filter-attachment size: 72 mm Accessories: Hood (fixed to the lens) / Case CL-38

Lens construction: 14 elements in 11 groups (plus one Meniscus Protective Lens) Minimum focus distance: 4 m/13.1 ft. (AF) 3.85 m/12.6 ft. (MF) Maximum reproduction ratio: 1/6.9x (AF) 1/6.6x (MF) Filter-attachment size: 52 mm Accessories: Hood HK-34 / Case CT-504

AF-S NIKKOR 600mm f/4G ED VR

Meniscus Protective Glass
NIKKOR's exclusive protective glass for lenses comes attached to the front of fast super-telephoto lenses. Normal flat protective glass lets incoming light reflect off the surface of the image sensor or film, especially under a strong light source such as a spotlight. This then reflects again off the protective glass, resulting in a ghost effect. NIKKOR's curved meniscus glass dramatically reduces this re-reflected light, realizing clearer images with less ghosting.
20
: Aspherical lens elements : ED glass elements : Super ED glass

Perfect for dedicated sports and wildlife photographers, this extremely long 600mm telephoto captures distant subjects with amazing clarity. The lens features Vibration Reduction (VR II), Nano Crystal Coat and a rugged design for durability in the field.
4°10'

Lens construction: 10 elements in 6 groups Minimum focus distance: 1.45 m/4.8 ft. Maximum reproduction ratio: 1/3.7x Filter-attachment size: 77 mm Accessories: Hood (fixed to the lens) / Case CL-M2

Lens construction: 15 elements in 12 groups (plus one Meniscus Protective Lens) Minimum focus distance: 5 m/16.4 ft. (AF) 4.8 m/15.7 ft. (MF) Maximum reproduction ratio: 1/7.4x (AF) 1/7.1x (MF) Filter-attachment size: 52 mm Accessories: Hood HK-35 / Case CT-607

21

SPeCial-PURPoSe N I K KO R l e N s e s
Don't let the name fool you: Special-purpose lenses are not only for special occasions. This category contains Micro lenses, Fisheye lenses and PC (Perspective Control) lenses. Each speciality offers a new way of seeing the world, and can lead to new levels of fun and creative photography.

MICRO LENSES

These optical wonders take close-up shots with up to life-size reproduction, capturing the finest detail in its actual size on the sensor. Whether you shoot macro, portraits or other subject matter, expect striking sharpness, beautiful background bokeh and a wide range of focus distance: from closest 1:1 to infinity.

Compact and versatile standard micro lens

Versatile, high-performance micro lens for DX photographers

AF-S Micro NIKKOR 60mm f/2.8G ED

AF-S DX Micro NIKKOR 85mm f/3.5G ED VR

DX

Delivers stunningly sharp images up to life-size (1x) at all f-stops with incredible bokeh. Nano Crystal Coat effectively reduces ghost and flare effects under harsh lighting, such as in backlit situations. With its wide focusing range, this lens is not limited to extreme close-up photography and can be used for most subject matter.
39°40'

This medium telephoto micro lens is exclusively designed for DXformat cameras. Compact and lightweight, even with the incorporated Vibration Reduction (VR II), which enables steadier handheld shooting. With a great working distance and continuous autofocus from infinity to life-size (1x), this lens gives you amazing sharpness and background bokeh for close-up subjects, portraits, nature images and more.
18°50'

Lens construction: 12 elements in 9 groups Minimum focus distance: 0.185 m/0.6 ft. Maximum reproduction ratio: 1x Filter-attachment size: 62 mm Accessories: Hood HB-42 / Case CL-1018

AF Micro-Nikkor 60mm f/2.8D
This longtime seller delivers crisp images at any focus distance from infinity to life-size (1x). Ideal for general close-ups, portraits, landscapes, copy work and more.

Lens construction: 14 elements in 10 groups Minimum focus distance: 0.286 m/0.9 ft. Maximum reproduction ratio: 1x Filter-attachment size: 52 mm Accessories: Hood HB-37 / Case CL-1018

Excellently balanced micro lens with VR

AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED

39°40'

Lens construction: 8 elements in 7 groups Minimum focus distance: 0.219 m/8 3/4 in. Maximum reproduction ratio: 1x Filter-attachment size: 62 mm

Powerful telephoto micro lens with great working distance

AF Micro-Nikkor 200mm f/4D IF-ED
By taking advantage of the long working distance of 0.26 m/0.9 ft. at life-size (1x), it is ideal for shooting flowers, insects and other tiny wildlife without disturbing them. The NIKKOR glass ensures clear and high-contrast images regardless of fstop, and the lens performs superbly as a regular telephoto as well.
? Yoshitsugu Enomoto
12°20'

This frequently used medium telephoto micro has Vibration Reduction (VR) for easy handheld macro shooting. The lens delivers crisp yet natural images in any genre of photography. The longer focal length gives it a great working distance when shooting close-ups of flowers, insects and other small wildlife. It also takes fantastic portraits. Nano Crystal Coat effectively reduces ghost and flare effects.
23°20'

Lens construction: 14 elements in 12 groups Minimum focus distance: 0.314 m/1 ft. Maximum reproduction ratio: 1x Filter-attachment size: 62 mm Accessories: Hood HB-38 / Case CL-1020

Close-up handheld photography made easy
AF-S DX Micro NIKKOR 85mm f/3.5G ED VR
: Aspherical lens elements

Lens construction: 13 elements in 8 groups Minimum focus distance: 0.5 m/1 5/8 Maximum reproduction ratio: 1x Filter-attachment size: 62 mm Accessories: Case CL-45

: ED glass elements

23

FISHEYE LENSES

These specialized lenses feature an ultra-wide angle of view that bends and distorts the subject matter as it reaches the edges of the frame. Try different viewpoints and angles in various scenes with a fisheye lens and even ordinary scenes can turn into extraordinary photographs.

PC LENSES/ PC MICRO LENSES

With NIKKOR's exclusive PC (Perspective Control) tilt and shift operation, these lenses enable you to control the perspectives, distortion and depth of field in your images. PC lenses make you more approachable to professional creative techniques that usually only large-format NIKKOR lenses can handle.

PC-E lenses lineup: more freedom in controlling perspectives

PC-E NIKKOR 24mm f/3.5D ED

PC-E Micro NIKKOR 85mm f/2.8D

This wide-angle PC lens covers an 84° angle of view and features tilt and shift operation, as well as +/-90° revolving mechanism. Ideal for architecture, cityscapes, general indoor photography and nature. Auto aperture control is possible with the electromagnetic diaphragm*. Nano Crystal Coat reduces ghost and flare effects.

This medium-telephoto PC lens enables tilt, shift and +/-90° revolving mechanism and also has micro capability to shoot up to 1/2x life-size. A great choice for long-range portraits, nature, and commercial work with uniquely controlled perspectives. Auto aperture control is possible with electromagnetic diaphragm*. Nano Crystal Coat is employed to reduce ghost and flare effects.
28°30'

84°

Lens construction: 13 elements in 10 groups Minimum focus distance: 0.21 m/0.75 ft. Maximum reproduction ratio: 1/2.7x Filter-attachment size: 77 mm Accessories: Hood HB-41 / Case CL-1120

Lens construction: 6 elements in 5 groups Minimum focus distance: 0.39 m/1.3 ft. Maximum reproduction ratio: 1/2x Filter-attachment size: 77 mm Accessories: Hood HB-22 / Case CL-1120

PC-E Micro NIKKOR 45mm f/2.8D ED

AF DX Fisheye-Nikkor 10.5mm f/2.8G ED

? Cliff Mautner

Fun-to-use, compact fisheye lens for DX photographers

Sharp, full-frame fisheye lens creating dramatic perspectives

AF DX Fisheye-Nikkor 10.5mm f/2.8G ED

DX

AF Fisheye-Nikkor 16mm f/2.8D

With a fast f/2.8 aperture, this standard PC lens also has micro capability, shooting up to 1/2x life-size and enabling tilt, shift and +/-90° revolving mechanism. Perfect for commercial work, product shots, nature photography or any other subjects that require a natural perspective and fine detail. Auto aperture control is possible with electromagnetic diaphragm*. Nano Crystal Coat is employed to reduce ghost and flare effects.
51°

PC-E NIKKOR 24mm f/3.5D ED

? Yves Paternoster

This compact and lightweight fisheye lens is designed exclusively for DX-format cameras. With its frame-filling 180° angle of view and unique bending effects, any scene or subject will take on new dimensions through the viewfinder, making anything you shoot fun. The lens has edge-to-edge sharpness and enables you to get as close to the subject as 3 cm/1.2 in. from the lens front.
180°

NIKKOR’s supreme optical performance provides continuous sharpness from infinity to the closest subject, offering the uniquely altered reality of ultra-wide-angle photography for beautiful and dramatic images. Four bayonet type filters attached to the lens rear give more creative options in filter effects.

Lens construction: 9 elements in 8 groups Minimum focus distance: 0.253 m/0.83 ft. Maximum reproduction ratio: 1/2x Filter-attachment size: 77 mm Accessories: Hood HB-43 / Case CL-1120

180°

Lens construction: 10 elements in 7 groups Minimum focus distance: 0.14 m/0.46 ft. Maximum reproduction ratio: 1/5x Accessories: Hood fixed to the lens/ Case CL-0715

Lens construction: 8 elements in 5 groups Minimum focus distance : 0.25 m/0.85 ft. Maximum reproduction ratio: 1/10x Accessories: Hood fixed to the lens/ Filter L37C, A2, B2, O56

* Available only with cameras compatible with the electromagnetic diaphragm (Nikon D3 series, D700, D300 series, D7000, D90, D5000, D3100 and D3000). NOTE: The Nikon D3 series can be used without any limitations. However, operations may be limited with other models, while some older cameras may be incompatible.

24

: Aspherical lens elements

: ED glass elements

25

MANUAL-FOCUS LENSES
This great lineup features eight fixed focal-length lenses, including two micro lenses.
Lens name Lens construction [groups/elements] Minimum focus distance [m/ft.] Maximum reproduction ratio [x] 1/ 8.3 Filter-attachment size [mm] Lens hood (optional) Lens case (optional) Lens name Lens construction [groups/elements] Minimum focus distance [m/ft.]
Values in parentheses apply when Auto Extension Ring PK-13 or PN-11 is in use.

Maximum reproduction Filter-attachment size [mm] ratio [x]

Lens hood (optional)

Lens case (optional)

Nikkor 20mm f/2.8

9 /12

0. 25 / 0. 8 5

62

HK-14

CL- 0 915

Nikkor 50mm f/1.2

6/7

0.5 /1.7

1/ 7. 9

52

HS -12 / HR -2

CL- 0 915

Nikkor 24mm f/2.8

9/9

0. 3 /1

1/ 8 . 8

52

HN -1

CL- 0 915

Nikkor 50mm f/1.4 Micro-Nikkor 55mm f/2.8 / Auto Extension Ring PK-13 Micro-Nikkor 105mm f/2.8 / Auto Extension Ring PN-11

6/7

0.4 5 /1.5

1/ 6. 8

52

HS - 9 / HR -1

CL- 0 815

Nikkor 28mm f/2.8

8/8

0. 2 / 0.7

1/ 3. 9

52

HN -2

CL- 0 815

5/6

0. 25 / 0. 9 ( 0. 2 25 / 0.73 8 )

1/ 2 (1)

52

HN - 3

CL- 0 915

Nikkor 35mm f/1.4

7/ 9

0. 3 /1

1/ 5.6

52

HN - 3

CL- 0 915

9 /10

0.41/1. 3 4 ( 0. 37/1. 21)

1/ 2 (1/ 0. 8 8 )

52

HS -14

CL-1018 (CL- 3 8 )

OPTIONAL ACCESSORIES
AF-S Teleconverters
Teleconverters increase the original focal length to 2x, 1.7x or 1.4x when attached between an AF-S/AF-I lens and the camera body. Their superior optical performance retains the high-quality imaging advantages of your original lenses while also supporting its signal transmission.

Extension Rings
n Auto Extension Ring PK-11A, 12, 13
These extension rings are for NIKKOR lenses with the AI (Automatic maximum aperture Indexing) system. Seven extension lengths can be achieved when used individually or in combination.
*The exposure meter cannot be used with cameras that do not have an exposure meter coupling lever, such as the F80 and F75

n Macro Adapter Ring BR-2A/BR-5
Mounted to the lens in reverse, this extension ring can be attached directly or using the Bellows Focusing Attachment. When shooting in a reproduction ratio larger than 1x, even better lens performance is realized by attaching the ring to the lens in reverse. BR-2A is compatible with lenses having 52 mm-sized front attachment and the BR-5 (with BR-2A together) with lenses having 62 mmsized front attachment.

n Adapter Ring BR-3
This adapter converts the bayonet mount of reverse-mounted lenses to the 52 mm thread used for filters and hoods (HB-type bayonet hoods cannot be used).

PK-11A PK-12

PK-13

BR-2 A

BR-3

BR-5

AF-S Teleconverter TC-20E III
This teleconverter expands the focal length by 2x and slows down the aperture by 2 stops.
Lens construction: 7 elements in 5 groups Case: CL-0715 (included)

AF-S Teleconverter TC-17E II
This teleconverter expands the focal length by 1.7x and slows down the aperture by 1.5 stops.
Lens construction: 7 elements in 4 groups Case: CL-0715 (included)

AF-S Teleconverter TC-14E II
This teleconverter expands the focal length by 1.4x and slows down the aperture by 1 stop.
Lens construction: 5 elements in 5 groups Case: CL-0715 (optional)

Filters/holders
n Neutral Color NC Filter
Ideal as a lens protector, this filter does not affect the color balance (visible light spectrum) of your lens. Its multilayer coating prevents light reflection inside the glass.

n Slip-in Circular Polarizing Filter
Designed for use with telephoto lenses equipped with a slipin filter holder, this filter reduces reflected light and draws out more clarity and color while decreasing the effect of sunlight reflection from airborne water vapor and dust. Also, polarizing filters darken the blue in skies without affecting the contrast, further emphasizing your subject. When shooting in color, the filter eliminates color casting caused by reflected light.

n Soft Focus Filter
Give your images a moderately soft and beautiful blur effect. Good for various shooting situations, such as portraiture.

The following AF-S and AF-I NIKKOR lenses are compatible with AF-S Teleconverters.
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED*1 AF-S NIKKOR 200mm f/2G ED VR II AF-S VR Nikkor 200mm f/2G IF-ED AF-S NIKKOR 300mm f/2.8G ED VR II AF-S VR Nikkor 300mm f/2.8G IF-ED AF-S Nikkor 300mm f/2.8D IF-ED II AF-S Nikkor 300mm f/2.8D IF-ED AF-I Nikkor 300mm f/2.8D IF-ED AF-S Nikkor 300mm f/4D IF-ED*2 AF-S NIKKOR 400mm f/2.8G ED VR AF-S Nikkor 400mm f/2.8D IF-ED II AF-S Nikkor 400mm f/2.8D IF-ED AF-I Nikkor 400mm f/2.8D IF-ED AF-S NIKKOR 500mm f/4G ED VR*2 AF-S Nikkor 500mm f/4D IF-ED II*2 AF-S Nikkor 500mm f/4D IF-ED*2 AF-I Nikkor 500mm f/4D IF-ED*2 AF-S NIKKOR 600mm f/4G ED VR*2 AF-S Nikkor 600mm f/4D IF-ED II*2 AF-S Nikkor 600mm f/4D IF-ED*2 AF-I Nikkor 600mm f/4D IF-ED*2 AF-S NIKKOR 70-200mm f/2.8G ED VR II AF-S VR Zoom-Nikkor 70-200mm f/2.8G IF-ED AF-S Zoom-Nikkor 80-200mm f/2.8D IF-ED AF-S NIKKOR 200-400mm f/4G ED VR II*2 AF-S VR Zoom-Nikkor 200-400mm f/4G IF-ED*2

n Circular Polarizing Filter II
By dramatically reducing the reflective qualities, polarizing filters allow direct shooting through glass or into bodies of water, and enable better capture of other non-metallic objects that reflect light. Polarizing filters also cut the reflective light of vapor and minute dust in the air, so blue skies can be rendered even bluer.
The following lenses cannot be used: AF Nikkor 20mm f/2.8D, Nikkor 20mm f/2.8S, Zoom-Nikkor 28-85mm f/3.5-4.5S, AF Zoom-Nikkor 35-105mm f/3.5-4.5D IF Also, slight vignetting may occur when shooting at infinity or closer shooting distances when the Circular Polarizing Filter II is used with the following lenses: Nikkor 24mm f/2, Nikkor 28mm f/2, PC Nikkor 28mm f/3.5 with maximum shift, AF Zoom-Nikkor 24-50mm f/3.3-4.5D, AF Zoom-Nikkor 28-105mm f/3.5-4.5D IF

Hoods
Lens hoods reduce stray light that can degrade your image quality while minimizing ghost and flare effects. They can also be used as lens protectors. For every type of NIKKOR lens, there is a lens hood available. They are classified according to the attachment methods and materials: HB (bayonet), HN (screw-in), HK (slip-on), HS (snapon) and HR (rubber type).

*1: Autofocus cannot be used. *2: Autofocus cannot be used with TC-20E III and TC-17E II * Other lenses cannot be used. Do not attach other lenses, as the rear lens elements will touch and could damage the Teleconverter elements. * Vibration Reduction function operates with VR (Vibration Reduction) lenses when used with the following Nikon SLR cameras: D3-series, D2-series, D1-series, D700, D300series, D200, D100, D7000, D90, D80, D70-series, D5000, D3100, D3000, D60, D50, D40-series, F6, F5, F100, F80-series, F75-series and F65-series.

* When the AF-S Teleconverter TC-17E II or TC-14E II is attached to Nikon Digital SLR cameras or the F6, F5 or F100, focal length may not display correctly in the shooting information, depending on the lens used.

n Bayonet Filter: Ultraviolet L37C
This filter absorbs ultraviolet light and produces clear images with high contrast. The L37C has multilayer coating to reduce reflection. Can also be used as a lens protector.
27

26

: Aspherical lens elements

NIKKOR TECHNOLOGY
Known for its reliability, clarity and devotion to the needs of passionate photographers, NIKKOR, Nikon’s exclusive lens brand, is on a quest to create the finest optics in the world. By adhering to the strictest requirements and testing both in the lab and across a wide range of actual shooting situations, Nikon creates technologies that make NIKKOR lenses the best choice for any type of still or moving imagery.

ED glass effectively reduces chromatic aberration at high magnification
Nikon was the world’s first camera maker to develop ED (Extra-low Dispersion) glass that could minimize prism-caused color dispersion. This low-dispersion ED Secondary glass also offers anomalous dispersion spectrum characteristics like calcium fluoride Normal glass crystals, which consequently minimize the secondary spectrum. For lenses using normal optical glass, the longer the focal length, the more difficult to Secondary correct the chromatic aberration that spectrum causes color fringing. Nikon's ED glass, ED glass which effectively compensates for this kind of chromatic aberration, is employed in a wide range of NIKKOR telephoto lenses for superior reproduction. Nikon has also developed Super ED glass to minimize aberration even further. Look for Super ED glass in the AF-S VR Nikkor 200mm f/2G IF-ED.

Aspherical lens for effective aberration correction
This type of lens utilizes non-spherical surfaces on either one or both sides of the glass in order to eliminate certain types of lens aberration. These aspherical elements are particularly useful for correcting the distortion in wide-angle lenses. Such distortions are caused by variations in the magnification of the image, depending on its distance from the optical axis. Aspherical lens elements correct these distortions by continuously changing the refractive index from the center of the lens. Since the 1960s, Nikon engineers have established design theories and lens-processing techniques to refine the aspherical lens. In 1968, the OP Fisheye-Nikkor 10mm f/5.6 became the first interchangeable SLR lens incorporating aspherical lens elements. Since then, aspherical lenses have been an important part of the NIKKOR lens family, with every new addition to the lineup providing a new level of contrast, resolution and compact design.

VR (Vibration Reduction): Correct blur while retaining a stable viewfinder image
NIKKOR’s Vibration Reduction system helps you achieve sharper, steadier shots by compensating for camera shake when shooting telephoto subjects, dimly lit scenes and other handheld situations – including D-movie shooting. Camera shake information is detected by the VR sensor of the VR lens unit, which is continually in motion inside the lens, aligning the optical axis with your camera’s imaging sensor, thereby reducing image blur and providing the equivalent of shooting at shutter speeds up to three (with VR) or four (with VRII) stops faster.*
* Depending on the situation and photographer VR lens unit

Image sensor Direction of movement

VR mechanism

VR off

VR on

l In-lens blur correction for clearer finder image and dual algorithm Nikon's Vibration Reduction (VR) function is built into the lens. Unlike with in-camera systems, your camera’s sensor does not move with VR, thereby giving you a steadier view through the viewfinder and eliminating the blur you would see in the image itself. A clear view makes it easier to confirm your composition and place your focus point accurately. Looking through a fully blur-corrected viewfinder for long periods of time may cause feelings similar to motion sickness in some photographers. To prevent this, Nikon developed an exclusive algorithm utilized when the shutter release button is half-pressed. This first algorithm controls the blur correction at a slightly lower level than usual. When the shutter release button is fully pressed, a second algorithm engages to maximize camera shake compensation during exposure for clear images. l Panning Detection for moving subjects Sometimes the movement of a subject needs to be emphasized. To make the most of this effect, Nikon employs a Panning Detection function, which senses camera movement and automatically controls blur-correction. So for example, when panning horizontally, only vertical blur is corrected.

l Active mode for shooting from a moving vehicle In Normal mode, Nikon’s VR function interprets both slow and broad camera movement as if the photographer is recomposing and then adjusts for blur-correction accordingly. However, when shooting from a moving vehicle or other unstable position, the lens can sometimes misinterpret camera movement or a photographer’s intentions. In this case, choose Active mode* for further compensation, a more stable viewfinder image and even steadier shots.
* Active mode is employed in select VR lenses.

High Refractive Index lens
With a refractive index of more than 2.0, one HRI lens can offer effects equivalent to those obtained with several normal glass elements and can compensate for both field curvature and spherical aberrations. Therefore, HRI lenses achieve great optical performance in an even more compact body.

M/A mode for quick switching from AF to MF
Simply by rotating a focus ring, M/A mode allows you to switch from autofocus to manual with virtually no time lag. This makes it possible to seamlessly switch to fine manual focusing while looking through the viewfinder.

l Optimization in every lens Consider, for example, the special situation of using a micro lens to shoot extreme close-ups of a flower where the photographer is in a crouching position. This shooting scenario deserves its own VR parameters, so Nikon conducted over 10,000 shooting tests to refine unique algorithms for each VR lens type. Yet another reason why the vibration reduction system is built inside the lens.

A/M (auto-priority manual) mode
This mode also enables an easy transition from autofocus to manual during AF operation. However, mode switch sensitivity has been altered to reduce the possibility of sudden unintentional switching to manual focus while shooting.

A-M mode switch/ring/lever
Thanks to a mechanism incorporated in the lens barrel, smooth focusing operation in Manual focus mode is realized in the same way as users have become accustomed to with conventional manual-focus lenses by adding an appropriate torque to the focus ring.

AF-S NIKKOR lens with SWM for quiet autofocus
Nikon’s original Silent Wave Motor (SWM) converts “traveling waves” into rotational energy to drive the optics used for focusing. The two SWM lens types – ring type and compact type – are specifically chosen to match each lens’s specs and design. Any AF-S NIKKOR lens featuring these SWMs delivers extremely smooth, quiet and comfortable auto focusing for both general shooting as well as extreme situations, such as sports and wildlife.

Nano Crystal Coat minimizes ghost and flare effects to provide clear images
Originating from Nikon’s work in semiconductor Reflected light manufacturing technology, NIKKOR’s Nano Incident light Conventional multilayer Crystal Coat is an antireflective coating that coating employs an extra-low refractive index coating Lens featuring ultra-fine, nano-sized* crystal particles. These crystallized particles eliminate Without coating reflections inside the lens throughout the spectrum of visible light waves (380 to 780 Incident light Reflected light nm) in ways that far exceed the limits of Nano Crystal Coat conventional antireflection coating systems. Lens Nano Crystal Coat not only solves ghost effects caused by red light, which was incredibly Nano Crystal Coat difficult for previous systems. It also effectively reduces ghost and flare effects caused by light entering the lens diagonally. The result: clearer images.
* One nanometer equals one millionth of a millimeter (From left) Without coating, Nikon Super Integrated Coating, Nano Crystal Coat

n Nikon Super Integrated Coating
Nikon’s exclusive multilayer lens coating achieves high transmittance in a wider wavelength range. Even for zoom lenses with a large number of glass elements, this coating system effectively reduces the ghost and flare effects that are likely to occur in backlit situations, helping you achieve high-contrast images with rich gradation. With outstanding color balance and reproduction capability, superb optical performance can be achieved. Ghost and flare effects caused by internal reflections particular to digital cameras are also effectively minimized. This coating system is applied to all current lenses in the NIKKOR lineup.

n G-type NIKKOR lenses
For this type of lens, apertures are always selected from the camera body, as there is no aperture ring on the lens itself. These lenses have D Signal to transmit subject-to-camera distance to the camera body.

n Internal Focusing
With this focusing method, all the lens elements are divided into front, middle and rear groups, with only the middle group moving to focus.

n Rounded Diaphragm
When shooting with an ordinary diaphragm, blurry, polygon-shaped spots are likely to appear in images of scenes that include point light sources such as street lamps or holiday lighting at night. A rounded diaphragm is achieved by using specialized blades for a beautiful and naturally round shape for out-offocus objects.

n Rear Focusing
With Nikon’s Rear Focusing (RF) system, all the lens elements are divided into specific lens groups, with only the rear lens group moving for focusing.

n Close-Range Correction system
The Close-Range Correction (CRC) system is one of Nikon’s most important focusing innovations, because it provides superior picture quality when shooting at close distances, increasing your focusing range. With CRC, the lens elements are configured in a “floating element” design wherein each lens group moves independently to achieve focusing.

SWM

n D Signal – Distance information output capability
The D stands for Distance. Subject-to-camera distance information is obtained with an internal encoder, which is linked to the lens focus ring. This information is then transmitted to the camera body for high-precision exposure control found in 3D-RGB Matrix Metering II and i-TTL Balanced FillFlash. Every AF, AF-S, PC and PC-E series lens has a distance signal built in.

Ordinary diaphragm Rounded diaphragm

Compact SWM
28

29

SPECIFICATIONS
Lens name Lens construction [groups/elements] Angle of view with FX format cameras Angle of view with DX format cameras Numbers of diaphragm Minimum f-stop Minimum focus distance [m/ft.] Maximum reproduction ratio[x] Weight [g/oz.] Dia. x length (extension from lens mount) [mm/in.]
82.5 x 87/3.2 x 3.4 82.5 x 90/3.2 x 3.5 98 x 131.5/3.8 x 5.2 82.5 x 125/3.2 x 4.9 82.5 x 106/3.2 x 4.2 82.5 x 82.5/3.2 x 3.2

Filter-attachment size [mm]

Lens cap type

Lens hood

Lens case

n WIDE-ANGLE ZOOM NIKKOR LENSES [p4-p7]
AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED AF-S NIKKOR 14-24mm f/2.8G ED AF-S NIKKOR 16-35mm f/4G ED VR AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED AF Zoom-Nikkor 18-35mm f/3.5-4.5D IF-ED 9/14 7/11 11/14 12/17 10/13 8/11 — — 114?-84? 107?-63? 104?-62? 100?-62? 109?-61? 99?-61? 90?-61? 83?-44? 79?-44? 76?-44? 7 7 9 9 9 7 22-29 22 22 22 22 22-32 0.24/0.8 (0.22/0.7)*1 0.3/1 0.28/0.9*4 0.28/0.9 0.28/0.9 0.33/1.1 1/5 1/8.3 1/6.7 1/4 1/4.6 1/6.7 460/16.2 465/16.4 970/34.2 680/24.0 745/26.3 370/13.0 77 77 — 77 77 77 Snap-on Snap-on Slip-on Snap-on Snap-on Snap-on HB-23 (provided) HB-23 (provided) Built-in HB-23 (provided) HB-23 (provided) HB-23 (provided) CL-1118 (provided) CL-S2 (optional) CL-M3 (provided) CL-1120 (provided) CL-76 (provided) CL-S2 (optional)

When using D5000, D3100, D3000, D60 and D40 series, autofocusing is possible only with AF-S or AF-I lenses that have motor built-in. *1 Number in ( ) is for MF. *2 Number in ( ) is for macro setting. *3 Number in ( ) is for macro setting at 85mm telephoto end. *4 When in between 18-24mm. *5 When in 35mm. *6 When in between 35-50mm. *7 Tripod mounting collar is provided. *8 Number in ( ) is the weight without tripod mounting collar. *9 Use CL-0715 instead if you are using the lens hood HB-33. *10 Close-Range Correction (CRC) system *11 Using shifting and/or tilting under some conditions may cause vignetting. NOTE: Lens hood names indicate type: HN for Screw-in, HR for Rubber Screw-in, HK for Slip-on, HS for Snap-on and HB for Bayonet.

n NORMAL ZOOM NIKKOR LENSES [p8-p11]
AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II AF-S NIKKOR 24-70mm f/2.8G ED AF Zoom-Nikkor 24-85mm f/2.8-4D IF AF-S NIKKOR 24-120mm f/4G ED VR AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR 11/17 10/14 8/11 5/7 11/15 12/16 11/15 11/15 13/17 14/19 — — — — — — 84?-34?20' 84?-28?30' 84?-20?20' 75?-8?10' 83?-18?50' 79?-28?50' 76?-28?50' 76?-28?50' 76?-15?20' 76?-8? 61?-22?50' 61?-18?50' 61?-13?20' 53?-5?20' 7 9 7 7 7 7 9 9 9 9 22-36 22 22-36 22-38 22-38 22-36 22 22-32 22 22-38 0.38/1.3 0.36/1.2*5 0.28/0.9 0.28/0.9 0.45/1.48 0.5/1.6 0.38/1.2*6 0.5/1.6 (0.21/0.7)*3 0.45/1.5 0.5/1.6 1/4.6 1/5 1/3.2 1/3.2 1/5 1/4.5 1/3.7 1/5.9 (1/2)*3 1/4.2 1/3.1 485/17.1 755/26.6 265/9.4 205/7.2 420/14.8 565/19.9 900/31.7 545/19.2 710/25 800/28.2 72 x 85/2.8 x 3.4 85.5 x 110.5/3.4 x 4.4 73 x 79.5/2.9 x 3.1 70.5 x 74/2.8 x 2.9 76 x 89/2.9 x 3.5 77 x 96.5/3.0 x 3.8 83 x 133/3.3 x 5.2 78.5 x 82.5/3.1 x 3.2 84 x 103.5/3.3 x 4.1 83 x 114.5/3.3 x 4.5 67 77 52 52 67 72 77 72 77 77 Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on HB-39 (provided) HB-31 (provided) HB-45 (optional) HB-45 (optional) HB-32 (provided) HB-35 (provided) HB-40 (provided) HB-25 (provided) HB-53 (provided) HB-50 (provided) CL-1015 (provided) CL-1120 (provided) CL-0815 (optional) CL-0815 (optional)*9 CL-1018 (provided) CL-1018 (provided) CL-M3 (provided) CL-S2 (optional) CL-1218 (provided) CL-1120 (provided)

n TELEPHOTO ZOOM NIKKOR LENSES [p12-p15]
AF-S DX VR Zoom-Nikkor 55-200mm f/4-5.6G IF-ED AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED (black, silver) AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR AF-S NIKKOR 70-200mm f/2.8G ED VR II*7 AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED AF Zoom-Nikkor 70-300mm f/4-5.6G (black, silver) AF Zoom-Nikkor 80-200mm f/2.8D ED*7 AF VR Zoom-Nikkor 80-400mm f/4.5-5.6D ED*7 AF-S NIKKOR 200-400mm f/4G ED VR II 11/15 9/13 11/17 16/21 12/17 9/13 11/16 11/17 17/24 — — — 34?20'-12?20' 34?20'-8?10' 34?20'-8?10' 30?10'-12?20' 30?10'-6?10' 12?20'-6?10' 28?50'-8? 28?50'-8? 28?50'-5?20' 22?50'-8? 22?50'-5?20' 22?50'-5?20' 20?-8? 20?-4? 8?-4? 7 9 9 9 9 9 9 9 9 22-32 22-32 22-29 22 32-40 32-45 22 32-40 32 1.1/3.6 0.95/3.1 1.4/4.59 1.4/4.6 1.5/4.9 1.5/4.9 1.8/6 (1.5/4.9)*2 2.3/7.5 2/6.6(1.95/6.4)*1 1/4.4 1/3.5 1/3.6 1/8.6 1/4 1/3.9 1/7.1 (1/5.9)*2 1/4.8 1/3.7(1/3.6)*1 335/11.8 255/9.0 530/18.7 1540(1460)/54.3 (51.5)*8 745/26.3 425/15.0 1300/45.9 1360(1210)/48.0 (42.7)*8 3360/118.5 73 x 99.5/2.9 x 3.9 68 x 79/2.7 x 3.1 76.5 x 123/13.0 x 4.8 87 x 205.5/3.4 x 8.2 80 x 143.5/3.1 x 5.6 74 x 116.5/2.9 x 4.6 87 x 187/3.4 x 7.4 91 x 171/3.6 x 6.7 124 x 365.5/4.9 x 14.4 52 52 58 77 67 62 77 77 52 Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Slip-on HB-37 (provided) HB-34 (provided) HB-57 (provided) HB-48 (provided) HB-36 (provided) HB-26 (provided) HB-7 (optional) HB-24 (provided) HK-30 (provided) CL-0918 (provided) CL-0815 (provided) CL-1020(provided) CL-M2 (provided) CL-1022 (provided) CL-S4 (optional) CL-43A (provided) CL-M1 (provided) CL-L2 (provided)

n FIXED FOCAL-LENGTH NIKKOR LENSES [p16-p21]
AF Nikkor 14mm f/2.8D ED AF Nikkor 20mm f/2.8D*10 AF-S NIKKOR 24mm f/1.4G ED AF Nikkor 24mm f/2.8D AF Nikkor 28mm f/2.8D AF-S DX NIKKOR 35mm f/1.8G AF-S NIKKOR 35mm f/1.4G AF Nikkor 35mm f/2D AF-S NIKKOR 50mm f/1.4G AF Nikkor 50mm f/1.4D AF Nikkor 50mm f/1.8D AF-S NIKKOR 85mm f/1.4G AF Nikkor 85mm f/1.8D AF DC-Nikkor 105mm f/2D AF DC-Nikkor 135mm f/2D AF Nikkor 180mm f/2.8D IF-ED AF-S NIKKOR 200mm f/2G ED VR II AF-S NIKKOR 300mm f/2.8G ED VR II*7 AF-S Nikkor 300mm f/4D IF-ED (black, light gray)*7 AF-S NIKKOR 400mm f/2.8G ED VR* AF-S NIKKOR 500mm f/4G ED VR*7 AF-S NIKKOR 600mm f/4G ED VR*7
7

12/14 9/12 10/12 9/9 6/6 6/8 7/10 5/6 7/8 6/7 5/6 9/10 6/6 6/6 6/7 6/8 9/13 8/11 6/10 11/14 11/14 12/15

114? 94? 84? 84? 74? — 63? 62? 46? 46? 46? 28?30' 28?30' 23?20' 18? 13?40' 12?20' 8?10' 8?10' 6?10' 5? 4?10'

90? 70? 61? 61? 53? 44? 44? 44? 31?30' 31?30' 31?30' 18?50' 18?50' 15?20' 12? 9? 8? 5?20' 5?20' 4? 3?10' 2?40'

7 7 9 7 7 7 9 7 9 7 7 9 9 9 9 9 9 9 9 9 9 9

22 22 16 22 22 22 16 22 16 16 22 16 16 16 16 22 22 22 32 22 22 22

0.2/0.66 0.25/0.85 0.25/0.82 0.3/1 0.25/0.85 0.3/0.98 0.3/0.98 0.25/0.85 0.45/1.5 0.45/1.5 0.45/1.5 0.85/2.79 0.85/2.8 0.9/3 1.1/4 1.5/5 1.9/6.2 2.3/7.5 (2.2/7.2)*1 1.45/4.8 2.9/9.5 (2.8/9.2)*
1

1/6.7 1/8.3 1/5.6 1/8.9 1/5.6 1/6.1 1/5 1/4.2 1/6.8 1/6.8 1/6.6 1/8.3 1/9.2 1/7.7 1/7.1 1/6.6 1/8.3 1/6.4 (1/6.1)*1 1/3.7 1/6.3 (1/6.1)*
1

670/23.6 270/9.5 620/21.9 270/9.5 205/7.2 200/7.0 600/21.2 205/7.2 280/9.9 230/8.1 155/5.5 595/21.0 380/13.4 640/22.6 815/28.7 760/26.8 2930/103.4 2900/102.3 1440(1300)/50.8 (45.9)*8 4620/163.0 3880/136.9 5060/178.5

87 x 86.5/3.4 x 3.4 69 x 42.5/2.7 x 1.7 83 x 88.5/3.3 x 3.5 64.5 x 46/2.5 x 1.8 65 x 44.5/2.6 x 1.8 70 x 52.5/2.8 x 2.1 83 x 89.5/3.3 x 3.5 64.5 x 43.5/2.5 x 1.7 73.5 x 54/2.9 x 2.1 64.5 x 42.5/2.5 x 1.7 63.5 x 39/2.5 x 1.5 86.5 x 84/3.4 x 3.3 71.5 x 58.5/2.8 x 2.3 79 x 111/3.1 x 4.4 79 x 120/3.1 x 4.7 78.5 x 144/3.1 x 5.7 124 x 203.5/4.9 x 8.0 124 x 267.5/4.9 x 10.5 90 x 222.5/3.5 x 8.8 159.5 x 368/6.3 x 14.5 139.5 x 391/5.5 x 15.4 166 x 445/6.5 x 17.5

Gelatin filter 62 77 52 52 52 67 52 58 52 52 77 62 72 72 72 52 52 77 52 52 52

Slip-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Slip-on Slip-on Snap-on Slip-on Slip-on Slip-on

Built-in HB-4 (optional) HB-51 (provided) HN-1 (optional) HN-2 (optional) HB-46 (provided) HB-59 (provided) HN-3 (optional) HB-47 (provided) HR-2 (optional) HR-2 (optional) HB-55 (provided) HN-23 (provided) Built-in Built-in Built-in HK-31 (provided) HK-30 (provided) Built-in HK-33 (provided) HK-34 (provided) HK-35 (provided)

CL-S2 (provided) CL-S2 (optional) CL-1118 (provided) CL-0715 (optional) CL-0715 (optional) CL-0913 (provided) CL-1118 (provided) CL-0715 (optional) CL-1013 (provided) CL-0715 (optional) CL-0715 (optional) CL-1118 (provided) CL-0815 (optional) CL-38 (optional) CL-38 (optional) CL-38 (provided) CL-L1 (provided) CL-L1 (provided) CL-M2 (provided) CT-404 (provided) CT-504 (provided) CT-607 (provided)

4.0/13.1 (3.85/12.6)*1 5.0/16.4 (4.8/15.7)*1

1/6.9 (1/6.6)*1 1/7.4 (1/7.1)*1

n SPECIAL-PURPOSE NIKKOR LENSES [p22-p25]
AF DX Fisheye-Nikkor 10.5mm f/2.8G ED*10 AF Fisheye-Nikkor 16mm f/2.8D*10 AF-S Micro NIKKOR 60mm f/2.8G ED AF Micro-Nikkor 60mm f/2.8D*10 AF-S DX Micro NIKKOR 85mm f/3.5G ED VR AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED AF Micro-Nikkor 200mm f/4D IF-ED*7*10 PC-E NIKKOR 24mm f/3.5D ED*11 PC-E Micro NIKKOR 45mm f/2.8D ED*10*11
30

7/10 5/8 9/12 7/8 10/14 12/14 8/13 10/13 8/9 5/6

— 180? 39?40' 39?40' — 23?20' 12?20' 84? 51? 28?30'

180? 107? 26?30' 26?30' 18?50' 15?20' 8? 61? 34?50' 18?50'

7 7 9 7 9 9 9 9 9 9

22 22 32 32 32 32 32 32 32 32

0.14/0.46 0.25/0.85 0.185/0.6 0.219/8 3/4 in. 0.286/0.9 0.314/1 0.5/1 5/8 0.21/0.75 0.253/0.83 0.39/1.3

1/5 1/10 1 1 1 1 1 1/2.7 1/2 1/2

305/10.8 290/10.2 425/15.0 440/15.5 355/12.5 750/26.5 1190/41.8 730/25.7 740/26.1 635/22.4

63 x 62.5/2.5 x 2.5 63 x 57/2.5 x 2.2 73 x 89/2.9 x 3.5 70 x 74.5/2.8 x 2.9 73 x 98.5/2.9 x 3.9 83 x 116/3.3 x 4.6 76 x 193/3.0 x 7.6 82.5 x 108/3.2 x 4.3 82.5 x 112/3.2 x 4.4 83.5 x 107/3.3 x 4.2

Gelatin filter Rear-attachment type 62 62 52 62 62 77 77 77

Slip-on Slip-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on Snap-on

Built-in Built-in HB-42 (provided) HN-22 (optional) HB-37 (provided) HB-38 (provided) HN-30 (optional) HB-41 (provided) HB-43 (provided) HB-22 (provided)

CL-0715 (provided) CL-0715 (optional) CL-1018 (provided) CL-0815 (optional) CL-1018 (provided) CL-1020 (provided) CL-45 (provided) CL-1120 (provided) CL-1120 (provided) CL-1120 (provided)
31

PC-E Micro NIKKOR 85mm f/2.8D*10*11



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